Order Never. Say. Die.: The San Francisco Giants - 2012 World Series Champions

Never. Say. Die.: The San Francisco Giants - 2012 World Series Champions by Cameron + Company

The San Francisco Giants won the World Series in 2012, their second championship in two years. Acclaimed Sports Illustrated and Major League Baseball photographer Brad Mangin has captured this historic season with breathtaking photographs that evoke the Giants' relentless spirit of passion and persistence in 2012. Brian Murphy, beloved Bay Area sports radio personality, tells the story of the Giants' championship season in great detail, highlighting this never-say-die attitude that empowered the Giants to overcome adversity throughout the regular and postseason and ultimately led them to an epic four-game sweep of the Detroit Tigers in the World Series.

Never. Say. Die. is truly an art book in form and in function. Featuring over 125 awe-inspiring photographs, this book provides a rare view of one team's championship season seen through the lens of one photographer, Brad Mangin, resulting in a beautiful baseball photo monograph that San Francisco Giants' fans and baseball fans around the world are sure to relish. The book's design and format go above and beyond the typical sports photo book, emphasizing the grit and edge of the Giants' character throughout the season. As a result, Never. Say. Die. stands out uniquely among others in the field.

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Garry Winogrand (San Francisco Museum of Modern Art) Shopping

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Product Name : Garry Winogrand (San Francisco Museum of Modern Art)

Widely regarded as one of the most important photographers of the 20th century, Garry Winogrand (1928–1984) did much of his best-known work in Manhattan during the 1960s, becoming an epic chronicler of that tumultuous decade. But Winogrand was also an avid traveler and roamed extensively around the United States, bringing exquisite work out of nearly every region of the country.

This landmark retrospective catalogue looks at the full sweep of Winogrand’s exceptional career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as the most substantial compendium of Winogrand’s work to date. Lavishly illustrated with both iconic images and photographs that have never been seen before now, and featuring essays by leading scholars of American photography, Garry Winogrand presents a vivid portrait of an artist who unflinchingly captured America’s swings between optimism and upheaval in the postwar era.

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Product Description : Garry Winogrand (San Francisco Museum of Modern Art)

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Tales of the San Francisco Cacophony Society Shopping

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Product Name : Tales of the San Francisco Cacophony Society

This book will prove to be a template for pranksters, artists, adventurers and anyone interested in rampant creativity, for years to come. Tales Of The San Francisco Cacophony Society is a retelling in period images and words of the history of the most influential underground cabal that you have never heard of. Rising from the ashes of the mysterious and legendary Suicide Club, The Cacophony Society, at its zenith, hosted chapters in over a dozen major cities, and influenced much of what was once called the underground. Flash Mobs, Urban Exploration, and Culture Jamming are a few of the pop culture trends that Cacophony helped kick off. Chuck Palahniuk's Fight Club, Burning Man and Internet social networking powerhouse Laughing Squid were informed and inspired by Cacophony. The Burning Man Festival actually began as a Cacophony event as did the annual, and now world-wide SantaCon. Cacophony events could range from something as simple as climbing the Golden Gate Bridge or having a discussion over drinks about a movie seen together, to something as elaborate as The Atomic Café - an event involving a hundred bedraggled "nuclear holocaust Survivors” mounting elaborate costumed rituals throughout the bowels of a massive abandoned tooth paste factory. Yes…. Cacophony was that strange. Cacophony's heyday was concurrent with the rise of the internet. The story of this group is of historical significance for this reason. Information about upcoming pranks, street theater and other events hosted by Cacophony was spread by paper flyers posted on telephone poles and left in coffee shops, by the Societies mailer "Rough Draft” and by word of mouth. Then, with the genesis of personal computing and social networking, the jokers, artists and troublemakers of Cacophony were among some of the first non-geeks to explore the power of this new and world changing way of communicating. Burning Man, Urban Exploration, flash mobs and the like were avenues of creativity with their roots in Cacophony, that spread like wildfire through the mechanism of these new communication technologies. This book is a large format, full color, hardbound homage to this protean group. Tales of San Francisco Cacophony is replete with original art, never before published photographs, original documents, incredulous news accounts and is beautifully laid out by Carrie Galbraith with color illustrations by Kevin Evans and end plates by noted artist and Cacophonist Winston Smith.

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Product Description : Tales of the San Francisco Cacophony Society

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Best Richard Diebenkorn: The Berkeley Years, 1953-1966 (Fine Arts Museums of San Francisco)

Richard Diebenkorn: The Berkeley Years, 1953-1966 (Fine Arts Museums of San Francisco) by Yale University Press

In the 1950s American painter Richard Diebenkorn (1922–1993) took a dramatic turn away from his early work, exploring new vocabularies of both abstract and representational styles, which would come to be known as the artist’s “Berkeley period." This era has long been recognized as one of the most interesting chapters in postwar American art, yielding many of Diebenkorn’s best-known works.

Richard Diebenkorn: The Berkeley Years, 1953–1966 examines Diebenkorn’s process and output during this decisive period. Three original essays explore the artist’s evolving conceptions of abstraction and representation, emphasizing the interrelationships between the abstract paintings and drawings and related landscapes, figurative works, and still lifes, as well as Diebenkorn’s ongoing interest in aerial views.

Featuring several significant works that have rarely been on view, as well as previously unpublished photographs from the Diebenkorn archives, this important publication is the first comprehensive look at this critical period.

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