Best Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right

Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right by Watson-Guptill




Idea
Is There a Good Abstract Idea Underlying the Picture?
What Details Could be Eliminated to Strengthen the Composition?
Does the Painting "Read"?
Could You Finish Any Part of the Painting?

Shapes
Are the Dominant Shapes as Strong and Simple as Possible?
Are the Shapes Too Similar?

Value
Could the Value Range be Increased?
Could the Number of Values be Reduced?

Light
Is the Subject Effectively Lit?
Is the Light Area Big Enough?
Would the Light Look Stronger with a Suggestion of Burnout?
Do the Lights Have a Continuous Flow?
Is the Light Gradated?

Shadows
Do the Shadow Shapes Describe the Form?
Are the Shadows Warm Enough?

Depth
Would the Addition of Foreground Material Deepen the Space?
Does the Background Recede Far Enough?
Are the Halftones Properly Related to the Background?

Solidity
Is the underlying Form Being Communicated?
Is the Symmetry in Perspective?

Color
Is There a Color Strategy?
Could a Purer Color Be Used?
Do the Whites Have Enough Color in Them?
Are the Colors Overblended on the Canvas?
Would the Color Look Brighter if it Were Saturated into its Adjacent Area?

Paint
Is Your Palette Efficiently Organized?
Is the Painting Surface Too Absorbent?
Are You Using the Palette Knife as Much as You Could?
Are You Painting Lines When You Should Be Painting Masses?
Are the Edges Dynamic Enough?
Is There Enough Variation in the Texture of the Paint?Read more Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right

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Everything you always wanted to know about oil painting...but were afraid to ask. Or maybe you weren’t afraid—maybe you just didn’t know what to ask or where to start. In The Oil Painting Course You’ve Always Wanted, author Kathleen Staiger presents crystal clear, step-by-step lessons that build to reinforce learning. Brush control, creating the illusion of three dimensions, foolproof color mixing, still-life painting, landscapes, and portraits—every topic is covered in clear text, diagrams, illustrations, exercises, and demonstrations. Staiger has taught oil painting for more than thirty-five years; many of her students are now exhibiting and selling their paintings. Everyone from beginning hobby painters, to art students, to BFA graduates has questions about oil painting. Here at last are the answers!

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